My work is rooted in an intuitive, process-driven approach that begins with close observation of the natural world. Rather than depicting specific landscapes, I translate these impressions into layered abstractions that emphasize surface, texture, and the passage of time.

Working primarily in oil and cold wax., I build and disrupt each composition through successive layer-sweeping, veiling, and abrading the surface to reveal underlying structures. This process allows forms t emerge gradually, creating a tension between control and spontaneity.

The resulting paintings evoke natural elements such as weathered surfaces,, shifting water, and geological formations. Through this material language, I explore how memory, environment, and experience accumulate over time, inviting sustained viewing and quiet reflection.

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